Convergencia/Convergence
An exhibition of contemporary art by Paraguayan artists in a variety of styles and media.
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Vulnerability inVisibility
This exhibit features work by photographer Mary Fashbaugh, which investigates the limits of sensory communication by combining visual and braille descriptions.
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Shakespeare: A Celebration
Artists from the Britain's Royal Watercolour Society and the Royal Society of Painter-Printmakers will show an exciting and diverse range of works, inspired by Shakespeare’s writings.
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CLUFest 2017: Forward
CLUFest explores the growth of cutting edge technology in an unconventional way.
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Rebecca Campbell: You are Here
Motivated by the lack of women’s representation in the art world, and in homage to the artists who inspire her, Campbell began her You are Here project in Fall 2015, which features a series of portraits of women artists working in Los Angeles.
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Art at the Service of the People: Puerto Rico’s DIVEDCO Poster Art
Beginning in 1949, Puerto Rico’s División de Educación de la Comunidad (Division of Community Education) or DIVEDCO created films and related posters and reading material for the didactic consumption of the island’s population.
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The Harem: Essentialized Sensuality | The Work of Lalla Essaydi
Images by Lalla Essaydi rejecting stereotypes and recasting images of the harem as a space for women in powerful and visually lush photographs.
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Uchinanchu: The Art of Laura Kina
This exhibit presents patchwork and textile-based paintings by Laura Kina through moving autobiographical pieces that examine mixed race identities, indigenous communities, colonization, and globalized pop culture–all in the form of traditional craft practices.
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CLUFest 2016: Enteractive
CLUFest ENTERACTIVE is a showing of student multimedia art that blurs the lines between artist, observer and exhibit.
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The Clouty Tree, the Devil and Me
Cal Lutheran art professor Michael Pearce’s clouty trees are dressed in memories and poems from the Carmina Gadelica, building upon them to create a new installation with new meaning.
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